Black Friday can bite me

Recently, two different friends emailed me a "get to know you" questionnaire with a Christmas theme. Since I'm a sucker for those time-killing, ego-stroking surveys, I set to work.

One of the questions in the survey asked what my least favorite part of Christmas was. That's easy: rampant, insidious consumerism! Obscene consumerism. You MUST spend lots of money on your loved ones. WANT! WANT! WANT! GET! GET! GET! CONSUME NOW! The spend-and-purchase messaging we're inundated with is repugnant and profane. Today, I can add to those adjectives, murderous. Come along ...

Black Friday, as the day after Thanksgiving day has become known, has long been the start of the holiday shopping season in the U.S. It's called Black Friday because this is the day when most retailers make enough money to move out of the "red," into solvency. This was something I learned a few years ago. Before, I thought "Black" Friday referred to the abyss of our souls; how else to explain how a nation can move from day of humble gratitude to harried greed in less than 24 hours?

Each year, stories of incivility in retail shops surface by the time the evening's news rolls around. Soccer moms getting into fist-fights over Chicken Dance Elmo, store clerks being berated by customers because an item has been sold out, the occasional shooting in the parking lot. It's shameful. This year a WalMart employee was crushed to death after he opened the doors of the store to let shoppers in. So eager to get a Wii or a Numi or whateverthefuck people are cravenly drooling over these days, were these shoppers that even as other co-workers tried to move to this poor man's aid, they had to fight to stay standing. The metal frame doorways of the WalMart were actually bent by the crush of the crowd. People wanted so badly to spend their hard-earned dollars on paltry shit at 5AM that they wouldn't even stop to help this man stand up. Who the hell are we? Frankly, that story makes me ashamed of my countrymen. Clearly, our desire to consume supercedes our desire for patience and our capacity for mercy.

Consumer spending is probably good for the economy, in general. But when are we going to recognize that rampant, careless consumption is baaaddd for our souls?

Christmas consumerism is particularly offensive because, the ostensible reason we're supposed to sate our bottomless greed is to celebrate the birth of the holy man who told us the meek would inherit the Earth, that it would be easier for a camel to pass through the eye of a needle than for a rich man to enter Heaven and that God was most pleased when we clothed the naked, fed the poor, visited the prisoner and generally tended to the "least" of those among us. Even if one celebrates Christmas in a purely secular fashion - which I suppose most do since it is more a cultural holiday than a religious one - it seems we can all agree that the assumed point of Christmas is to celebrate our loved ones and our time with our loved ones.

Gift-giving is fine. Good, actually. But how does it genuinely benefit anyone for one's kid or spouse or partner to get $1,000 worth of toys and goods on Christmas day? That there are wise shoppers out there who may spend that amount on gifts that will have a long lifespan, I do not doubt. But most gifts bought are simply upgraded the next year and disposed of. We are a nation disposed to the disposable goods. I, too, am a less thoughtful consumer than I should be. Can't and won't deny it. But I'm trying to improve. I'm taking baby steps to be more mindful of what I spend my money on and my motivations behind spending it in the first place.

The image at the top is from a documentary titled What Would Jesus Buy? The premise is that a performer named Reverend Billy visits temples of Mammon to exorcise them and call people's attention to their spending habits. I think I'll bump it to the top of my Netflix list. Something we can all do, next year anyway, is join the folks who choose to spend Thanksgiving Friday at home, doing a puzzle, reading a book, hanging with family and otherwise observing Buy Nothing Day. It seems the least we can do to honor the memory of Jdimytai Damour is to not be a part of the insanity that killed him in the first place.

Everything's Coming Up Milhouse!

Last month, I said that something had to change in my job situation and I'm happy to report that the change is now in progress.

Starting soon, possibly as early as the beginning of next month, I will be scaling back my hours to work part-time. I detested going back to my boss with my tail between my legs, after having asked for a promotion during the heat of the monster project, and after he'd moved the discussion along, the week prior, about moving me up the ladder. However, I can't deny the fact that my entire attitude about my job has changed. I'm not inspired, I'm strained and a zombie lately. I do want to progress my career, but I think, for my own sanity, I might have to do it at a slower pace than I'd originally liked. Additionally, I genuinely do want to foster some side sub-careers, if you will, because I'm not a person who is laser-focused on one interest. I'm a more ADD version of Ben Franklin, not a John Nash. I always struggle with maintaining interest in any one job or place of employment when winter rolls in. I am sunk by the cold and dark. It seriously affects me. I'm a solar-powered person; 5PM darkness and overcast days are not my friends. This, of course, affects my productivity. (Apparently, I'm not the only one.)

But the main reason I've wanted to scale back is make myself more available to my family and take care of my general and specific health. As it is now, I have to make an appointment any day I want to leave work on time. Not early. On time. Have to give everyone a big heads up that I might want to go home at the time we say we're going home. Even now, in the down season. If I were a Secret Service Agent, I'd understand that my job is not a job, it's a life. But I'm not. Even when I don't have massive deadlines hanging over my head, that kind of tyranny over my time is stressful. After visiting Dad for his second open heart surgery, I've pretty much decided I need to slow the frak down. He had his first heart attack at 38. 38! Not the road I want, and the highway traffic of genetics is already going against me. I don't want to be on the chopping block. No job is worth that to me. Honey has already weathered two very stressful surgeries with me in the last year, I don't need to add more for him to worry about.

I'm hoping to work 2 1/2 to 3 days a week, when I begin this new regimen. So what am I going to do with the extra time? So many things I can do! Look for other 3/4 to full-time jobs that either a) I can work from home and aren't as driven by deadlines (currently pursuing one), b) speak to my creative side, but I can leave directly at 5PM, so I can eat dinner with my husband more regularly and pursue performing without feeling like a jerk; bonus points if the job is in my industry or c) both. I also plan on writing more; getting my personal website to look more presentable and profitable would be a plus; start working with a voice-coach and start pushing for paying voice-over jobs; avail myself to the rent-an-actor company I signed up with but have yet had time to pursue; sell the shit on eBay that I set aside last month; paint the basement; actually exercise again; go back to my thesis and figure out what I want to do with it; spend more time at the doctors' office, which is why one of my supervisors thinks I'm doing this anyway, which is about 20% true ... so many things I could do!

My only reservation about this is, of course, the current economy. I am worried about scaling back while jobs are hemorrhaging throughout every market. But Honey is supportive and isn't panicking, and since he speaks math better than I do - were I single, I'd live in a rattrap, even if I made a gazillion dollars a month, just because I'm terrified of spending a dime on anything - I take my cues from him the way I do from a flight attendant. We hit a bump. Is the flight attendant scared? No? Okay, I won't panic then. Incidentally, this is also why I'd be a bad flight attendant. Though I'm a pretty good host, I can't gauge normal from "holy shit" turbulence. Just like I can't gauge sufficient money from excess money. No money? That, I know. And right now, it looks like stepping back from my table for a while isn't going to leave us in trouble. It's going to mend more problems than it causes.

A trunk full of Shiner Bock and Lone Star

I had the pleasure this week of finally seeing a musician I really, really love and have been meaning to see live, play live. That would be the ever-lovin' Robert Earl Keen.

Having grown up in Texas, I was somewhat familiar with him - more his name than his music. Just a few songs here and there. I knew he was on Austin City Limits a lot, but as I hadn't really watched that show since the mid-80s, he didn't really resonate with me. It wasn't until the summer before my senior year in college that I picked him up. I was apartment-sitting for some friends who were doing summer stock shows around the country. One of my friends had REK's Picnic in his CD collection. As I love raiding other people's music, I made my way through his CaseLogic binder and got hooked. This really surprised me for two reasons: 1) my friend didn't seem the country music type; his collection was typified by Elliot Smith, Dave Matthews and Jamiroquai and 2) I, as a rule, don't really like country music, but Picnic was just that - a fun, tasty, "comfort-food" feast. I burned myself a copy (Shh! This was 1998, so it was okay.) and went on my merry way.

But it wasn't really until we moved to the East Coast that we slowly started collecting his albums. This is when I really started to appreciate him. Keen's voice is gravelly, nasal, a little higher register than you'd expect from a country singer and painted thick with a drawl more reminiscent of West Texas than his native Houston. More importantly, he captures the Texas experience - at least the middle, and I presume, lower class Texas experience - so bloody well. He sings the low-brow Texas fantasies (as in his signature The Road Goes on Forever, which I want played at my wake, btw), redneck realities like those in Merry Christmas from the Family (every Texan has at least one relative like those), sweet, simple pleasures as in Gringo Honeymoon and just general appreciations for the land that bore him (and me), all its people (Mariano) and all its beauty and flaws (Levelland). He's a troubadour that sings about Texas sometimes adoringly, sometimes sharply tongue in cheek, and when he's great, he accomplishes both, simultaneously. He doesn't sing only about Texas, but life in Texas inspires about 90% of his music.

Honey isn't much for him, so I talked a college girlfriend of mine, with whom I'm reconnecting, into joining me. She's a trooper. I wouldn't've been cajoled into spending $45 on a ticket to an unknown commodity the way she was by me. I'm far too cheap! But she did it and she had a blast, so I was happy, and I owe her. (As I do virtually everyone I know.)

When I saw him, he performed against black duvatene curtains. No flashy backdrop, not even a banner with his name on it, like his opener had. Just the man, his band and the music. Even the lighting was simple. It had motion, but the lighting was made up entirely of simple gelled lamps. Something I'd expect for a brand new musician playing his first "for real" gig, not for a man who has a following. And he rocked the joint! I really, really wish there had been space to dance, because there were moments when I just really wanted to two-step. My girlfriend two-stepped in place with me for a bit, but complained that I moved too much from my hips. If I don't use my hips, I betray the only Latina-seeming part of me. Plus, it's the only part of me that has any grace; I'm fairly uncoordinated and my legs often move like those of a foal when I dance. The crowd was among the whitest I'd seen in this area in quite a while, but I suppose that's to be expected. It wasn't Texas, but it was a close enough facsimile, that I felt really at ease. My girlfriend said she felt like we were back in college in Texas, what with the frat boys and country music.

Aside from dancing like a fiend in a crowd with a red solo cup full of beer and discovering I'm really, really shitty at remembering lyrics of even some of my most favorite songs, I think the most amusing part of the evening was the "cowboys." My brother sees Robert Earl Keen live every year or so. He plays Texas a LOT. He's huge; a legend, approaching the status of Stevie Ray Vaughn, there. Bro said the crowd he usually draws is a mixture of cowboys and hippies, which in some parts of Texas (Travis Co., I'm looking at you) are not mutually exclusive categories. Our East Coast crowd was mostly transplanted Texas and southern professionals, and New Englanders who let their hair down. But we did have some cowboy-hatted guys show up. They offered my friend and me Rebel Yell. (Uh, no thanks.) They were at the foot of the stage and occasionally waved their hats around. Had I actually been in Texas, there wouldn't've been a group of 5 or 6 hatted guys in the front; there'd've been a sea of hats, and boots. All fine. What bugged me was that their hats were funny looking. By no means do I claim to be an expert on western wear, but the material looked a little cheaper and the hats overall more colonial-flavored. Like someone took the material for a tri-corn hat, began making a bowler and then decided to give it a cowboy brim. They loved the show, but I think they loved the opportunity to wear their hats in public, just as much. It reminded me of a second-hand anecdote my dad told us in the late 80s. A friend of his was visiting her daughter in New York City. They decided to go to a country western bar in Manhattan to see how the locals did it. Apparently, all the guys in Manhattan were happy to two step with the ladies and did alright, but they tucked their jeans into their boots! (This is apalling, if you missed the subtlety of the italics and exclamation mark. You don't tuck into boots unless you're a dancing extra from the cast of Oklahoma!) But really, even if people don't pull off the dress with authenticity, I suppose the attempt is evidence of the appreciation. Imitation is the highest form of flattery, even if the imitation is off. Heavens knows if I tried to emulate the fashion of subcultures I admire, I'd fall way short. I can barely keep up with the subculture I'm a part of! (Bad yuppie!)

My only complaint about the show was that he was not as talkative as I'd hoped he'd be. I like singer/songwriters who spin short yarns and give us background. I was told by a friend of a friend that REK was, indeed, chatty. However, he didn't really engage until almost the end of the concert, which was too bad. My only other complaint is that we didn't stick around for him to sign merch. I got a shot glass, 'cause I'm classy like that, but I was thinking about getting a signed t-shirt for my brother. He'd love that. But alas, I am no longer a lass, nor is my friend, and we were tired, and had work the next morning. So we ducked out during the second encore song. Next time, I'm staying for the whole megillah. And I want some talk, Robert!